Archive for April, 2013

A Chocolate and Spirits Tasting

Wednesday, April 24th, 2013
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Alexandre Billon et Marie-Hélène Gantois

Alexandre Billon et Marie-Hélène Gantois
Photograph by www.DiscoverParis.net

On Thursday, April 18, I attended a chocolate and spirits tasting organized by Marie-Hélène Gantois of Mococha Chocolats on rue Mouffetard. She invited Alexandre Billon of La Fontaine aux Vins (107, rue Mouffetard) to present three spirits in association with three of Marie’s chocolates.

Three Spirits

Three Spirits
Photography by www.DiscoverParis.net

LeRoch V.S.O.P. cognac, a blend of three Petite Champagne cognacs, was selected for the first pairing. I learned that Petite Champagne is a geographic zone of the area around the town of Cognac, where wines destined for cognac production are grown. Marie paired this spirit with a praliné au sarrasin grillé by chocolate maker Jacques Bellanger. When I first tasted the praliné, I thought that it was made from roasted peanuts, but it’s not, it’s made from toasted buckwheat. The light flavor of buckwheat went well with the light and delicate flavor of the cognac. A good match!

Alexandre Billon

Alexandre Explains the Fine Points of Rum from Guadeloupe
Photograph by www.DiscoverParis.net

The second liquor was Karukera rum from Guadeloupe. Alexandre explained that rum from this island does not have an AOC certification (controlled designation of origin) as does rum from nearby Martinique. The principal reason for this is that producers have to adhere to certain standards to receive the AOC certification, and the Guadeloupean producers choose not to. The rum was paired with Furie ganache jus et zeste de citron vert by Fabrice Gillotte. It was a clever idea to pair the rum with a ganache containing zest and juice of lime, because rum is often served with this fruit. Again, a nice pairing!

Marie Serves Delicious Chocolates

Marie Serves Delicious Chocolates to Her Guests
Photograph by www.DiscoverParis.net

The third alcohol was Glenfarclas Highland Single Malt Scotch Whisky. This whisky, aged 12 years, had only a hint of peat. Its slightly sweet flavor went well with the Fabrice Gillotte chocolate flavored with fève de tonka, a bean that tastes faintly like clove.

Marie Explains Tasting Procedure

Marie Explains Tasting Procedure
Photograph by www.DiscoverParis.net

The chocolate and spirits tasting was a great success. A good time was had by all!

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How to Make a Candy Sculpture (A Demonstration at the Festival du Livre Culinaire)

Wednesday, April 17th, 2013
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Cordon Bleu Chef Jean-François Deguignet Making Candy Sculpture

Cordon Bleu Chef Jean-François Deguignet
Photograph by www.DiscoverParis.net

Start with several differently-colored globs of candy and heat them with a hot-air blower so that they becomes pliable.

Making Colored-candy Strips

Sticking Log Strips Together
Photograph by www.DiscoverParis.net

Roll the warm candy into log strips, and then press differently-colored strips together. If the strips don’t stick, use the hot-air blower to re-warm the candy until they stick.

Cutting Candy Strips

Cutting Candy Strips
Photograph by www.DiscoverParis.net

Use scissors to cut the joined log strips to the desired length.

Cutting Flattened Strips

Cutting Flattened Strips
Photograph by www.DiscoverParis.net

After joining several differently-colored log strips together, flatten them, and then use a knife to cut them to the desired length. To make a clean cut, heat the edge of the knife with the hot-air blower.

Working with the Flattened Strips

Working with the Flattened Strips
Photograph by www.DiscoverParis.net

Depending upon the effect that you want to achieve (a bow, for example, or a flower) take long, flattened strips and twist them into the desired shapes.

Assembling the Sculpture

Assembling the Sculpture
Photograph by www.DiscoverParis.net

Assemble the ribbons, bows, and other shapes that you have created into a sculpture. Use the hot-air blower as necessary to get the pieces to stick together.

Finished Sculpture

Finished Sculpture
Photograph by www.DiscoverParis.net

Et voilà!

Another Finished Sculpture

Another Finished Sculpture
Photograph by www.DiscoverParis.net

These candy sculptures were created by Chef Jean-François Deguignet of Le Cordon Bleu cooking school at the Festival du Livre Culinaire, held from February 22 – 24 this year at the Carrousel du Louvre.

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Meet Bécaye Tounkara, Proprietor of Le Dogon

Wednesday, April 10th, 2013
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Bécaye Tounkara, Proprietor of Le Dogon

Bécaye Tounkara, Proprietor of Le Dogon
Photograph by www.DiscoverParis.net

In this month’s Le Bon Goût we present Bécaye Tounkara, proprietor of Le Dogon, a restaurant located near Place de la République that serves Malian and Senegalese cuisine. We think that travelers to Paris will enjoy dining at this restaurant, where the food is authentic and the service is cordial!

Le Bon Goût is a restaurant review that you will find in Paris Insights, a newsletter about the history and culture of Paris, as well as our observations on contemporary life in the city. It is published monthly as a downloadable PDF file and is available only to paid subscribers for an annual subscription fee of $30.

If you are not a paid subscriber and would like to download the newsletter, please click here. Enter promotional code 11473309154 to receive a $5 discount off the price of an annual subscription.

Bonne Lecture…et Bon Appétit!

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The Luxembourg Garden – My Personal View
By Monique Y. Wells

Saturday, April 6th, 2013
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Des Coulam and Monique Y. Wells

Des Coulam and Monique Y. Wells
Photograph by www.DiscoverParis.net

I am honored to have been asked to participate in a very special series of interviews called Paris – A Personal View. Des Coulam, whose passion is to record the sounds of Paris, is the creative genius behind the series. He recorded my observations of the Luxembourg Garden—my favorite place in Paris—as we took a leisurely walk through it.

I took Des to several of my preferred spots in the garden. We began outside the gate, where there is currently a photo exposition on the Tour de France. There are a few photos of “vintage” races in the 1920s and 50s, but the majority of them are from competitions that have taken place in the last twenty years. The images are stunning!

We then walked to the eastern terrace near the boat basin, where I showed Des an image of Loïs Mailou Jones’ 1948 painting of the Luxembourg Palace and the towers of Saint-Sulpice beyond. There has been virtually no change in the landscape since she painted it 64 years ago!

I stopped briefly at the southernmost point of the parterre to talk about Gaston Monnerville, brilliant legal mind and President of the French Senate—a sculpture of him stands just outside the garden. Then we headed over to the statue of Marie de Medicis, the women whom we need to thank for having built the palace and garden. Thank goodness she pined for the Pitti Palace and the Boboli Gardens of her native Florence so much that she tried to have them recreated in Paris!

We next stopped to admire the Zadkine sculpture Le Poète ou l’Hommage à Paul Eluard. This is my favorite piece of art in the garden. I love Zadkine’s story and his works, many of which you can find on the streets of Paris as well as in his studio-turned-museum near the garden.

From Zadkine, the conversation turned to fruits, bees, and the Chartreuse monks when we strolled to the southwest corner of the garden. This is where the espaliered orchard produces fruits for the French Senate, beekeeping courses are taught, and honey from the garden’s apiary is sold in the fall.

To finish our tour, we visited the Statue of Liberty, strode past the Orangerie, stopped to admire the view of the Pantheon at the far end of rue Soufflot, and talked briefly about the Medicis Fountain. I shared some final thoughts about the garden as we walked by the crocuses (a sure sign that spring has arrived) that grow near the exit that faces the Odéon Theater.

I hope you enjoy this audio tour and the beautiful photos that accompany it!

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The World of Wine According to Marco Parusso

Wednesday, April 3rd, 2013
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Marco Parusso

Marco Parusso

Monique and I had the pleasure of receiving an invitation to a tasting and presentation of wines produced in the Barolo district of the Piedmont region of Italy by Marco Parusso. The tasting took place at I Golosi restaurant in Paris, an Italian restaurant for which we later wrote a review.

While we sipped nine different wines (two whites, and seven reds), Mr. Parusso talked about his technique of wine production.

We learned that he works very hard at quality control during each step of wine production—from harvesting the grapes to bottling—and that some of his methods are rather unusual. During the harvest, bunches of Nebbiolo grapes are placed in containers and then carried to an atmospheric-conditioned storage room where they “rest” for three to nine days. During this time, at least three things happen: the grapes continue to ripen, the tannins become more mature, and the grape stalks absorb oxygen. It is this absorption of oxygen that Mr. Parusso desires because he believes that oxygenation of the grape juice is an important part of the wine-producing process (unlike many wine producers, who try to protect the grape juice from oxygen).

After this stage, the grape bunches are placed in a roto-fermenter, a tank that macerates the grape skins, juice, stalks, and pulp during the stage of fermentation and maceration. During the first days of the process, the temperature is kept at 8°-10°C. In the final stages, the temperature is elevated to 30°C and then reduced to 21°-25°C to control fermentation. Mr. Parusso only uses indigenous yeasts.

After maceration, the wine is transferred to barriques (wine barrels) made out of new and old French oak. There it ages for up to 24 months. During this process, a technique called bâtonnage is applied, in which the lie of the wine that falls to the bottom of the barrique is stirred.

Finally, the wine is decanted, clarified, and transferred to bottles.

During the presentation we enjoyed tasting a number of Parusso’s wines. The following are notes that we took on two of the wines, one white, the other red:

Langhe Bianco DOC Bricco Rovella 2010 (made from white Sauvignon grapes) – suave bouquet of soft, sweet pineapple, smooth body, long finish with burnt sugar as the final taste sensation

Barolo DOCG Bussia 2004 (made from Nebbiolo grapes) – animal notes, dried fruits (prunes and raisins), quite soft

It is notable that even though Mr. Parusso’s wines are aged in oak barrels, we did not taste the presence of oak during the tasting.

Marco Parusso is intensely passionate about his wines. One of the things that might distinguish his production techniques from those of other wine makers is that he treats oxygen as an ally, rather than as an enemy. According to him, his wines are ready for drinking much more quickly than wines produced by traditional techniques. (Historically, Barolo wines had to be aged for many years to soften the wine.) Because Mr. Parusso’s wine has been exposed to oxygen during the winemaking process, a newly opened bottle will keep for several days.

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